Graduation gown: shiny, matching cap
She looks up
With aspirations
In the direction
Of where she wants to go
Short white coat: crisp, pockets empty
She looks up
At the steep climb
That is ahead of her
Short white coat: full of notes, lists
She looks up
To remind herself
Of where she is going
Why she is climbing
Short white coat: dirty, notes in the trash instead of the pockets
She looks up
For someone to remind her
Of where
Of why
Short white coat: abandoned on the chair, heart open
She looks up
She needs help
She prays
She cries
Long white coat: crisp, pockets full, this time with pens, tools
She looks up
For she knows
There is someone
Looking down
She is always moving forward
The pace is more comfortable now
But it is nice to remember, still
Where you are headed
She looks up
She reaches
She climbs
When you walk straight through the atrium of the Cleveland Museum of Art from the North entrance, through the double doors at the far side of the atrium, past the Prints and Drawings, and make a left into the Near Eastern Art collection, you will find the Stargazer. You might also find a young doctor regarding the piece as if it is revealing to her a story. The story grows, adding a new chapter each time she visits the Stargazer. But she must start from the beginning each time — listen again, remember — from the previous visits. She must first remember what the Stargazer showed her before — where she started, where she left off — to learn where she is now and where she is going.
Image credit: Statuette of a Woman: “The Stargazer.” Early Bronze Age, Western Anatolia. 3,000 B.C. Sculpture, marble. The Cleveland Museum of Art. Cleveland, OH.